Idiosophy

A physicist loose among the liberal arts

Author: Joe Page 2 of 31

Site manager

Separating us from all the good things

Tom Hillman ponders the relationship between humans and Faërie over on his blog. I think he’s right that Tolkien thinks it’s our fëa that doesn’t belong in Faërie. But there’s another conclusion we can draw from the literature that says something Tolkien would have liked a lot less.  It’s not The Fall, or positivism, or statistical analysis, or the industrial revolution that separated us from the Fair Folk.

I’ve mentioned before that, according to Rudyard Kipling, the Protestant Reformation chased the fairies out of England:

This Reformatories tarrified the Pharisees same as the reaper goin’ round a last stand o’ wheat tarrifies rabbits. They packed into the Marsh from all parts, and they says, “Fair or foul, we must flit out o’ this, for Merry England’s done with, an’ we’re reckoned among the Images.” (p.242)

Of course, the Faërie creatures of the Continent had been chased out much earlier. The faun in Poul Anderson’s The Broken Sword1, whom Skafloc meets in his elf foster-father’s lands, says:

The new god whose name I cannot speak was come to Hellas. There was no more place for the old gods and the old beings who haunted the land. (p.21)

The faun is fleeing West, like Tolkien’s elves. But it doesn’t stop in England. I heard a familiar echo when I was reading the introduction to Alan Lomax’s collection of American folk s0ngs.2

With most of the Southern Negro ministers and teachers urging their followers to abandon the old songs, a flood of jazz and of tawdry gospel hymns comes in. A black giant in the Nashville penitentiary resolutely refused to sing an entirely innocuous levee camp work song since he was a Hardshell Baptist and his church regarded such melodies as “Devil’s songs” or “sinful songs.” (p. xxxi)

They never stop! Fortunately, the world is round, so the Fair Folk, and now the Singing Folk, can’t be cornered. They can always keep going west. I recommend Japan, where the anime industry would welcome them.


 

Time-traveling pronunciation

While thinking about alliterative verse, I came across an interesting case. Alliteration, in the traditional Old English form, doesn’t have to be on the first consonant in the words — it’s on the first consonant in the stressed syllables. A thousand years later, in Modern English it’s not rare to have more than one syllable in a word that gets stress, though the others are less emphasized. (24% of the words in the CMU Pronouncing Dictionary have a secondary stress in them.) We still alliterate on the stressed syllable, in principle. Which brings me to the word “technological”. The way I say it, the primary stress  is on “log”, and the Wise Clerks of Pittsburgh agree with me. Let’s try to alliterate with it:

  • “Technological Language” sounds like alliteration, and it matches the Old English form.
  • “Technological Treatise” sounds like alliteration, too.

It’s like the second word causes a change in how we hear the first. The secondary stress on “tech” gets promoted. The presence of “Treatise” seems to move the primary accent from the third syllable “log” to the first syllable “tech”. But I’ve already read the first word — This is time travel!

Light cone, showing the accessible past an future of any event where the speed of light is the limit.

By: K. Aainsqatsi at Wikipedia, CC BY-SA 3.0.

Maybe I can see a physical mechanism here. When I read, I “hear” the words in my head, but I sight-read the words much faster than that. Reading is different from systems described by the Theory of Relativity, because signals are primarily at the speed of (thinking about) sound, but there are also light signals that can exceed that maximum speed. Which makes the “sound cone” permeable, unlike the light cone we know about from Relativity.

So my eyes see the next word before I read the line into memory, and therefore later words in a line can affect the earlier ones. I’m sure every theater director already knew this.


Post Scriptum

The same thing happens with “proctological”, but in this case the dilemma can be resolved easily by never using that word in a poem.

What kind of tree is Treebeard?

J.R.R. Tolkien spends so much time talking about trees, telling us details of their species and their growth, that it’s curious there’s one omission. What kind of tree is Treebeard?

A few seemed more or less related to Treebeard, and reminded them of beech-trees or oaks. But there were other kinds. Some recalled the chestnut: brown-skinned Ents with large splayfingered hands, and short thick legs. Some recalled the ash: tall straight grey Ents with many-fingered hands and long legs; some the fir (the tallest Ents), and others the birch, the rowan, and the linden. [LR 3.04.142]

We get a hint here that Treebeard sort-of looks like an oak (400 species) or a beech (13 species), but it’s never explicitly stated and that doesn’t narrow it down much. Can we use external information to figure out what Tolkien might have been thinking? Of course we can!

Since Treebeard can get most of the Ents of Fangorn to a moot with one morning’s work, he must be a central figure in the Ent community. If we had a graph of relationships between trees, then we could look for centrally-positioned tree species. Treebeard is probably one of those.

The European Commission has funded research into forest types and the species that make them up, all available on line.3 With a lot of transcription4 and a little bit of matrix algebra, we can turn their tree species matrix into a species adjacency matrix, and thence into a graph.5 All matrix algebra and graph metrics were computed with the R statistical software, version 4.2.2.

I have omitted the species that only live by themselves, most conspicuously the junipers. (See the Canary Island pine, all off by its lonesome? Some species are even more isolated than that.) The introduced species are also removed,6 because Treebeard is nothing if not native to his forest. There are 112 species in the graph, after we remove the singletons. There are 92 types/subtypes of forest.

The graph is a dense cluster in the middle, with a halo of sub-graphs for Turkey, Portugal, Scandinavia, and the Canaries.

The European Forest Matrix converted to a graph. Hardwoods are in orange and softwoods in blue. Click to embiggen.

Even blown up to full size, that graph is too tightly connected to analyze with just eyeballs, so we need mathematical measures of centrality. I used four:

  • Degree just counts how many species can live next to the tree of interest, because they exist in the same kinds of forest. The Ent with the most friends has the highest degree.
  • Page Rank is how the Google search engine works. If your species is around other species that are themselves around lots of species, your centrality is higher. If organizing an Entmoot involves recruiting highly-connected Ents to help you out, the tree with the highest page rank would be a good one to do it.
  • Closeness is a measure of how many steps through the graph (friend-of-a-friend) a species needs to get to every other species. This would be useful for organizing an Entmoot by yourself.
  • Betweenness (that’s really the word) looks at the shortest paths through the graph connecting each pair of species. The species that’s on the most of those paths is the most between — this is the tree that would know all the news in the forest.

We don’t know how Treebeard did it; it might have been any of them, so I looked at these measures to find species that are near the top on all of them. Here are the candidates.

Ash: The European ash tree has the highest degree centrality. 65 other species connected to it. That’s because the range map on Wikipedia says it grows basically anywhere with water. Definite possibility! Except the text says that other Ents look like ashes, and they’re not Treebeard. Also, Gandalf’s staff was made of ash, so I doubt an ash-ent would think he’s such a good friend. So the ash is out.

Black elder: Besides elderberries being tasty, the Black elder has the highest page rank. Unfortunately, it looks more like a bush than a tree. I’m sad that this one didn’t work out because Celeborn addressing an elder as “Eldest” would have been a great joke.

Field maple: This tree isn’t number one on any metric, but it’s #3 or #4 on all of them so it’s a contender. It loses out because it doesn’t have any textual support. It doesn’t look anything like an oak or a beech. (No beech ranks above #8 on any metric.)

Pedunculate oak: This is the good old English oak. It’s a very long-lived tree, and very tall. The Wikipedia article says there are more ancient oaks in England than any other country in Europe. It also cites old myths saying oaks were the “thunderstorm trees”, with which Saruman might agree.  Merry said “The Forest had felt as tense as if a thunderstorm was brewing inside it”. [LR 3.09.059] Though it’s not higher than #3 on any metric, this is almost certainly the species Tolkien was thinking of.  But… the graph suggests a dark-horse candidate.

These trees have branches that look like arms. They're totally Ents.

Turkey oaks in New York’s Central Park

Turkey oak: It’s got a funny name (OK, maybe not as funny as “pedunculate”), but it’s #1 on the betweenness metric. Turkey oaks have an interesting history. Wikipedia says, “The species’ range extended to northern Europe and the British Isles before the previous ice age, about 120,000 years ago.” I can’t help remembering Elrond saying the Old Forest once stretched all the way from the Shire to Dunland, but had shrunk since.  Almost like Treebeard could have walked among Turkey oaks from Wellinghall to England, but now there’s just empty lands between them.

So I liked Turkey oaks, but on top of that, searching for Turkey oaks on line took me to the website for Central Park. They have Turkey oaks there, and look at them! The one on the left is absolutely an Ent, caught in mid-pandiculation.

Credit where credit is due

About a quarter of the way through this exercise, I realized I was tracing the steps of Kieran Healy of Duke University, whose essay on how British intelligence might have caught Paul Revere if only they’d known some math is one of the funniest things ever written about graph analysis.  Note for his most-obscure joke: “eigenvector centrality” is the same as what I called “page rank” here.


Mechanical Help Understanding Charles Williams

I’m the first to admit that I don’t understand most of what Charles Williams wrote. I rely on Sørina Higgins to figure out the hard parts and explain them. So when even she has a puzzle, where is there to turn?  This came up in Sørina’s blog yesterday. She asked for suggestions about mystical connections between Eidola and their Angeli, and if you have no idea what either of those words means, we’re even.

Since my ignorance is so near perfect, I decided that asking a Large Language Model would do no harm. We’ve set one up at work so we can test it and see what it’s good for. It’s based on Microsoft’s Azure. Usually, I make it read thick volumes of government regulations and see if it can answer questions about what’s in them. But the boss wants us to test it on as wide a range of topics as we can, and this one will definitely stretch its boundaries.

The query I gave the LLM was cribbed from the blog post:

This is a question about twentieth-century Christian mysticism. The novel “The Place of the Lion” by Charles Williams contains symbolic representations of Angelic Orders, their corresponding Platonic Virtues, and their symbolic earthly animal emanations. A scholar has created a table of the mapping among them, but some items are missing. The first column is the angelic order, the second column is the animal, and the third column is the Platonic Virtue. Elements of the table are separated with commas. Missing elements are denoted with “XXX”. What are the missing elements?
Angels,Lion,Strength
Archangels,Serpent,Subtlety
Powers,Butterfly,Beauty
Princes,Unicorn,Speed
Virtues,Eagle,Balance
Dominations,XXX,XXX
Thrones,XXX,XXX
Cherubim,Phoenix,XXX
Seraphim,Lamb,Innocence

This is a perfect question for an LLM: it needs to draw on a lot of literature, maybe including unexpected sources; it’s a complete-the-list format like the way the programmers tested early versions of the models; it doesn’t require thought, but can be derived just from associated words in other texts.  I’m used to the LLM taking a few seconds to answer my questions, but this time the response came back immediately.

Dominations,Bull,Patience
Thrones,Elephant,Wisdom
Cherubim,Phoenix,Immortality

First off, even for a skeptic like me it’s impressive that an LLM can fill in the missing elements in a table.  Tables are hard. But did it get it right?  In my uninformed opinion, associating elephants with wisdom and assigning it to the Thrones is pretty good. There may be a pun in there (howdah you do?) messing up the answer, though.

bull icon by Dimitri Lupo. the bull is threatening to charge.

Patience is my most attractive feature.

Next: bulls, patience, and Dominations? Bulls and domination, OK. The conjunction makes me suspect a few Hemingway novels in the training set, which is perfectly plausible, but if there’s a word that appears less often in Hemingway than “patience” I don’t know what it is. Bulls are very patient when they’re hanging out with their cows, I suppose, but when they interact with humans patience is not their signal virtue. (Maybe it’s Bull from “Night Court”.)

The last one, now… is immortality even a virtue? The phoenix certainly doesn’t have it, or there would be no interesting story about the phoenix at all. Cherubim have a flaming sword and the phoenix is born in flames, so those go together, but I think the LLM is just guessing about immortality.  Come to think of it, what’s a “platonic virtue”, anyway? Collecting a bunch of laudable qualities together and calling them collectively “virtues” sounds like it comes from at least 500 years after Plato.

Conclusion

English professors don’t have to give up and retire, just yet.

 

Swallow the bones and choke

File Under: The things you find out while wasting time on a Sunday morning.

Eleanor Parker’s excellent newsletter this morning is about Old English people gearing up for Lent by eating everything they can. 7 She points us to Kate Thomas’s “For the Wynn” essay on cheese. That essay is wonderful for many reasons, but one that jumped out at me was the part about the use of cheese in jurisprudence:

Some early medieval liturgical books contain an ordeal using barley bread and cheese – a way of ascertaining a person’s guilt or innocence via the eating of small pieces of food. It operates upon the same rationale as ducking witches – nature rejects someone who has done wrong, so a guilty person will choke on the bread or cheese.

Of course, my mind went immediately to the pool beneath Henneth Annun, where Frodo compels Smeagol with force majeure: “I shall take Precious, and I shall say: make him swallow the bones and choke. Never taste fish again.” [LR 4.06.047] 8

This is the second time we’ve seen little asides in LotR that come straight from Anglo-Saxon law. I don’t imagine it’s the last.

 


Notes

The First Temptation of Sam

Icon of the RingWhen Sam took the Ring and entered Mordor, we get the famous passage that lots of people take for Sam’s test versus the Ring:

Already the Ring tempted him, gnawing at his will and reason. Wild fantasies arose in his mind; and he saw Samwise the Strong, Hero of the Age, striding with a flaming sword across the darkened land, and armies flocking to his call as he marched to the overthrow of Barad-dur. [LR 6.01.018]

I don’t agree that this is the test. This attempt to suborn the faithful Samwise is risible. If that’s the best the Ring can do, it wouldn’t have been a problem for anybody, let alone Boromir, Gandalf, or Galadriel. Tolkien gives us a hint that this idea isn’t quite right, though. The previous sentence takes us into Sam’s thoughts: “He felt that he had from now on only two choices: to forbear the Ring, though it would torment him; or to claim it, and challenge the Power that sat in its dark hold beyond the valley of shadows.” Sam is thinking, which is not his strong point. We shouldn’t expect him to comprehend such an important and subtle matter on the first try.

Tom Hillman points out that the Ring is exploiting the way Sam loves old fairy-stories.9 Sam is a romantic. In that passage, the Ring is using Sam’s romanticism against him. That’s what the Ring does, as we know. It attacks your virtues. It uses your strengths against you. But a fondness for old stories and songs is more of an endearing trait than a great virtue.10 It’s not where the Ring would try Sam, when we know that he has a great virtue to work with. That’s where we should expect the Ring to attack first.

Sam’s great virtue is his loyalty to Frodo. That’s where the Ring ought to start to work on him, and sure enough, it did. Back in “The Choices of Master Samwise” we saw the real attack.

He flung the Quest and all his decisions away, and fear and doubt with them. He knew now where his place was and had been: at his master’s side, though what he could do there was not clear. [LR 4.10.057]

Right there, Sam lost the contest of wills with Sauron’s Ring. Fortunately, being Sam, he botches the attempt to rescue Frodo, loses the orcs in the tunnel, and concusses himself on the door. The Ring fails to get back to Sauron, and Middle-earth survives for another day.

People who like to find the hand of the Valar in any lucky break will be disappointed, but Sam’s failure to make a heroic stand over Frodo’s body isn’t a eucatastrophe. It was predictable. Indeed, it was predicted back at the beginning of the story! I knew not that Pippin, of all people, was a hobbit foresighted, but he’s the one who said, “Sam is an excellent fellow, and would jump down a dragon’s throat to save you, if he did not trip over his own feet,” and he was almost exactly right. [LR 1.05.060]

It’s only fair. If Sauron can turn people’s strengths into vulnerabilities, some Vala or other ought to be able to turn klutziness into a world-saving virtue. There may be hope for me yet.

In Sauron’s Defense

I was just listening to Chris Pipkin’s podcast from last summer, in which he talked about Owen Barfield’s theory of Poetic Diction with Prof. Verlyn Flieger.

Barfield’s idea, as I’ve talked about before, is that in the early days of language, many concepts (as we conceive them) were combined in a single word. We don’t have direct access to the earliest days, but we can see some of it in ancient Greece. For example, Hestia the goddess and “hestia” (εστία) the hearth weren’t two different things; they were a single thought. Since then, as we have needed to speak more specifically and more abstractly, we’ve fractured those ur-concepts into lots of precise words. That’s a positive development: we can make things and do things and think things the ancients could never conceive of. But we’ve lost something along the way.

splinters flying out from the center of an explosionProf. Flieger tells us in Splintered Light was that Tolkien took this idea and ran with it. All of Arda is just such a splintering of the thought of Eru. The Ainur split into Valar and Maiar. The Elves split into Calaquendi and Moriquendi, and then into a dozen subdivisions. Humans likewise. Even hobbits split into Stoors and Harfoots and Fallohides.

Barfield’s book is called Poetic Diction because, as he sees it, gluing all those shattered pieces back together is the poet’s job. Sometimes the assembly is a reconstruction of the ancient thought. Other times it’s something new. This happens with characters in Tolkien all the time: pivotal characters are frequently of mixed ancestry, putting the variously split pieces back together again. Elrond is the extreme case in the First Age. His grandson Eldarion is the culmination in the Fourth.

So. Do we know anyone else who’s dedicated himself to putting the splinters of reality back together, better than before? Why yes, we do! Sauron dedicated himself to putting it all back together again. His mission at the beginning of the Second Age began “with fair motives: the reorganising and rehabilitation of the ruin of Middle-earth” (Letter 131). There are lots of ways to reassemble the splinters of original truth, some more poetic, others more effective. As I’ve previously noted, Sauron chose “hierarchy” as his organizing principle, and nearly conquered the world with it.

This is as close as I’ve ever come to sympathy for the devil. From this point of view, Sauron was working from almost the same motives as Celeborn and Galadriel, trying to reassemble something out of the messy shards of reality around him.

Of course, his plan for organizing things didn’t end well. He chose a method designed for effectiveness, not poetry. Efficient dictatorship, not poetic diction. Sauron was not just organizing the physical world, after all. “Morgoth dispersed his power into the very matter of Arda…” as Tolkien says in Morgoth’s Ring, so as Sauron reassembled and organized things, he simultaneously was re-consolidating Morgoth’s evil. You can’t do one without the other. And that might be the most succinct argument for Tolkien’s odd fusion of Catholicism and anarchism I’ve ever heard.

Capitalists look scared

Today I got to thinking about portraits of business executives. Whenever a magazine puts a CEO on its cover, they’re usually in the same position. They stand there rigid, with arms folded. It’s so common that an image search for “business executive standing” returns countless examples. Now, I understand. It’s hard to know what to do with your hands, and if you get it wrong, you look like a doofus. (Watch any political primary debate for details.) But the thing is, according to acting coaches and books about body language, that’s a defensive posture. People stand like this when they’re feeling attacked.

a man and a woman in business attire, arms folded

You’re not fooling anyone, you know.

That’s not the image you want to project when you’re a Lord of Capitalism. You want to show strength and confidence. You want to show you’re in charge. You want to show divine favor, if you can think of a way to pull that off.

Therefore, a modest proposal. Business executives need to adopt attributes, like saints. When you see a medieval painting of a bearded man holding a key, you know you’re looking at St. Peter. A woman holding a wheel is St. Catherine. A man writing a book with a lion at his feet is St. Mark. A woman with a cannon is Santa Barbara. (No, really!) None of these people has any trouble knowing what to do with their hands while their portrait is being taken. Better yet, it makes them immediately recognizable by the illiterate masses. This is useful, because frankly most CEOs kind of look alike.

Mostly the attributes are obvious: Tim Allen should hold an apple. Warren Buffet should hold one of those bags with a $ on it like the ones cartoon burglars carry. Sundar Pichai should hold a can of Spam, if the CEO of Hormel will let it go. The guy who first programs his 3D printer to crank out hand-sized, brightly-colored corporate logos for lesser captains of industry to hold when they’re photographed will make a fortune.


Coda

This post is my first foray into the art of clickbait titles. Idiosophy is linked to micro.blog, but the link only sends across the title of the post. That doesn’t go well with my usual preference for oblique, allusive titles that only make sense after you read the post. Let’s see how this new technique works!

The shoal in question, in the lee of a limestone boulder.

Shenandoah River, North Fork, July 2023

Last summer we found that over the years, all kinds of old ironmongery had been caught in the current of the river, and dumped in the lee of a boulder that’s normally underwater. I wrote about it on my Old English blog because it seemed like the sort of thing Old English elegiac poets would like.

I showed the post to Sørina Higgins’s Author’s Circle, who told me that (no Old English poets being available) I should write the poem myself. There wasn’t much to make a poem out of, though, until I read a Mastodon post from Martin Rundqvist. He pointed out that the movie version of a Viking ship burial, where the ship is set on fire, is nonsensical — the ship would only burn down to the waterline. In reality, the ship was buried. The wood rots away, but the pattern of nails tells him and his colleagues what they’re looking at. OK — now there can be a poem.

This is in the standard Old English alliterative form, which I’ve tweaked for Modern English by allowing any number of unstressed syllables among the four stresses. Many thanks to the Author’s Circle for their advice.


The Shenandoah shows a shoal among rocks.
There eddies swirl, iron comes to rest,
concealed beneath stream-flows where
salamanders swim. But summer’s drought
lowered the river to levels unheard-of.

A drought like this can dig up old times.
Farms and pastures that formerly stood
on the banks of the river in bygone days
decayed, collapsed, and crumbled to ruin.
The forest fauna, fungus, and termites
ripped out the parts of the ruins they could use.
The rest washed to the riverbed. Rainfall carried
hardware to sunken heaps out of memory.

Likewise Vikings were laid to rest
in ships whose timbers have shivered to mould.
In ages afterward, archaeologists
sifted through soil, seeking their history.
Prows like dragons, once proud and high,
deteriorate to mere traces in soil,
but the nails are waiting in numbers undiminished.

The land I call mine is littered with items
from camps built by campaigning armies:
arrowheads left by Iroquois bands;
a scabbard left over from the Civil War.
When farmers cut furrows into the earth,
hunters of relics from history come
to pick among the plow-leavings
and rummage around the river’s terraces.
Normally they turn up just nails and screws,
hinges from doors, and hoops from barrels,
and toss them back. Trash isn’t interesting.

Many are keepers of memories of war,
but few keep the old farmers in mind.

Communication Devices

crystal ball by Yasmin AlanisStephen Winter has another insightful essay, this time about the palantir, which he thinks about next to smartphones (as we all must, now). He uses the generic term “device” instead of “smartphone”, as is common.

The word “device” is fascinating in this context. It appears 20 times in LotR, 12 referring to insignia and 8 referring to some sort of art or craft.11 The word is evenly split between the good guys and the bad guys, depending on how you count Fëanor.

When Gandalf talks about the palantir he could be foretelling the smartphone: “Perilous to us all are the devices of an art deeper than we possess ourselves.” (LR 3.11.099) To Stephen’s question whether our palantiri are more mysterious than we think, the answer is an emphatic “yes”. The constant stories of surveillance both by their makers, for purely pecuniary reasons, and by others who can be much more nefarious, make it undeniable that these things are perilous.

But then there’s Eomer’s observation that “Our enemy’s devices oft serve us in his despite.” (LR 5.04.026) In this context I can’t help thinking of the Arab Spring, or the flash protests against the attempt to ban Muslims from entering the United States. Both were organized over cell-phone networks. Perhaps it is a stretch to think of oppressive governments and the lords of Silicon Valley as a single Enemy, but their roads often seem to lie together for many hundreds of miles.


Note

Page 2 of 31

Powered by WordPress & Theme by Anders Norén