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Metathor

The Monday meeting of the Defenders of Denethor is now in session. I commented over there, but I’m putting this here because Stephen’s got a serious discussion going on, and this gets less serious the more I think about it.

Where I think we both ended up is, Denethor is doing the right thing according to his reason. His proposed course of action is entirely defensible, all his priorities are well established, he’s acting within his authority, and if anything went wrong his CYA package was in order. Unfortunately, he’s operating outside the theater of reason alone. The circumstances require faith in Something much greater than the works of Men, which Denethor doesn’t have, or hasn’t found use for in government.

Here in our world, any christian (and large numbers from other religions) will tell you we have Scripture to tell us about that Something.  Nothing of the sort exists in Gondor.  I suppose the Steward could go ask Elrond, which is kind of what Boromir is doing at the Council.  Or he could ask Galadriel and Celeborn, since they were around for even more of the backstory.  Or Círdan would have an interesting perspective.  But these people all have their own interests, their own motives.  He’d never be sure they were telling him everything.  If you really want Denethor to take supernatural powers into his calculations, you’d have to give him something in writing.

What img_0159 if Denethor got hold of a copy of the Letters?  Would that have the same theological impact as the Epistles of St. Paul have in ours?  After all, Middle Earth has an omniscient creator (he’d say “subcreator”) who knows and sees all, and has a Plan for the world.

The book would contain the creator’s secret thought,  his intentions that didn’t make it into the obvious plot. It contradicts itself in some places, and is frustratingly silent when it gets to some things you really need to know. Some parts would make no sense at all to a character from LotR. It has all the trappings of the foundational text of a religion.

Somehow, though, I don’t see the Men of Gondor accepting it that way.

Denethor as Tragic Hero

Denethor Unfinished” by Peet on Deviantart

I organized the Defenders of Denethor [1] Committee (membership: 1) in response to a post by Stephen C Winter on his blog “Wisdom from the Lord of the Rings“.

Mr Winter does not go easy on the Steward of Gondor. The post levels accusations like “deluded”, “lack of self-knowledge”, and “given to fantasy”. There are two specific charges against Denethor: use of the palantir, and planning to use the Ring. The post says it’s because Denethor’s Numenorean arrogance (stipulated by the defense) convinces him he’s stronger than either, and so he can turn them to his own ends. This kind of misjudgment, the argument goes, makes him the bad guy.

As I mentioned over there, there’s nothing in the text that makes us conclude Denethor thought that he was greater than the Ring or the palantir.  The evidence says, rather, that he made a considered judgment that using the palantir is better than not using it.  I agree that “the Ring holds no terror” for him. If not using it would be the greater evil in Denethor’s judgment, he would use it.  What does Tolkien say in his favor?

Denethor II was a proud man, tall, valiant, and more kingly than any man that had appeared in Gondor for many lives of men; and he was wise also, and far-sighted, and learned in lore. Indeed he was as like to Thorongil as to one of nearest kin … When Denethor became Steward (2984) he proved a masterful lord, holding the rule of all things in his own hand. He said little. He listened to counsel, and then followed his own mind.

LotR, Appendix A(iv)

Coming from JRRT, this is high praise. Hell, I’d even vote for him myself. On the negative side, we have Gandalf’s post-mortem:

Though the Stewards deemed that it was a secret kept only by themselves, long ago I guessed that here in the White Tower, one at least of the Seven Seeing Stones was preserved. In the days of his wisdom Denethor would not presume to use it to challenge Sauron, knowing the limits of his own strength. But his wisdom failed; and I fear that as the peril of his realm grew he looked in the Stone and was deceived: far too often, I guess, since Boromir departed. He was too great to be subdued to the will of the Dark Power, he saw nonetheless only those things which that Power permitted him to see. The knowledge which he obtained was, doubtless, often of service to him; yet the vision of the great might of Mordor that was shown to him fed the despair of his heart until it overthrew his mind.

LotR, V.vii

No way is Gandalf a disinterested observer. [2] This is a funeral speech for political purposes, like Marc Antony’s over Julius Caesar, but if we’re careful we can use it. Disregard subjective judgments about wisdom and foolishness, and note the contradiction: there’s only one sentence separating “…Denethor would not presume to challenge Sauron…” from “He was too great to be subdued to the will of the Dark Power…”. Let’s note that not using the palantir to challenge Sauron means Denethor was using it for general reconnaissance, which was “often of service to him.” He knew how to use tools, even ancient artifacts.

Mind to mind, the Steward of Gondor was a match for Sauron, where Saruman was not. This is a clue to Denethor’s place on the good-guy/bad-guy scale. Saruman was caught (LotR, III.xi) because he wanted power beyond his due. On the contrary, just like swindlers can’t con an honest man, Sauron can’t subdue Denethor. Denethor has earned his power, by birth and by decades of just rule. He’s not looking for more than he has.

Middle Earth and the Cold War

As it happens, I met a real-life Denethor. James R. Schlesinger was President Nixon’s Secretary of Defense, President Carter’s Secretary of Energy. (For my readers outside Washington, DC, that means he was in charge of the nuclear weapons.) In that meeting I was only 5% more senior than Pippin, and believe me: “between two such terrible old men” is an understatement. I wore a tie that matched the wallpaper and I kept my mouth so firmly shut it’s a wonder I could open it again afterwards.

The One Ring is not an allegory for nuclear weaponry, but it’s perfectly valid to use the Ring to think about what nuclear weapons mean. Working the other way is valid, too. We now know lots of stories about how people behaved when they were given world-destroying power, and we can use that to think about what the Ring might do.

When Sec. Schlesinger took office, the official strategy of the US was “Mutual Assured Destruction“. That is, the USA knew that the USSR wouldn’t attack us because we’d obliterate their cities. And the USSR knew we wouldn’t attack them because ditto. Yes, technically both of us were threatening war crimes. Schlesinger saw that there was a fundamental moral problem with that, which leads to a military problem: will the troops carry out that order? What kind of monster would give it? (cf. “The Last Command” by Arthur C. Clarke) Schlesinger started the process of turning US strategy towards counter-force operations, which improved the deterrence by concentrating the threat on the people who would actually be involved in starting the war. It worked. I was of draft age during the last, most-stressful part of the Cold War. I won’t even pretend to be objective in my approval.

Because of this history, which JRRT didn’t have, I believe Denethor when he promises, “It should have been kept, hidden, hidden dark and deep. Not used, I say, unless at the uttermost end of need, but set beyond his grasp, save by a victory so final that what befell would not trouble us, being dead.”  All eight US Presidents and five Soviet Premiers did that in their challenge. All the Secretaries and Ministers of Defense, as well.  Zero leaders on either side failed to.

Faramir passed the test of the Ring. Might not Denethor have passed it, too? He was greater than Faramir when he was young, and only grew in wisdom and power after that.

And pride, alas. Sauron found the tragic flaw. He couldn’t beat Denethor face to face. He couldn’t thwart Denethor’s intelligence operations, but he could mislead them. Lying through the palantir’s video feed may have been Sauron’s greatest accomplishment. I don’t doubt that Denethor experienced a direct frontal assault on his mind from Sauron, withstood it, and thought that he had won. That’s when one is most vulnerable to deceit, and where Sauron is strongest.  Winter says this means Denethor “disastrously misjudged his own capacity”; I say this is the kind of conflict we see in the real world, between two evenly-matched adversaries.  Where you can’t win by strength, you try trickery.  Nobody misjudged anything.

Conclusion

Back in the real world (as I commented on Winter’s blog) I look at leaders, and I see one thing they all have in common. As a rule, the good ones are all conscious of their responsibility to the innocents they protect. Denethor is one of our leaders. He looks at the worst that can happen, and chooses the strategy that turns out the best if everything goes wrong. (Operations researchers call this “minimax”.)  If cost-benefit analyses existed in Gondor, he’d insist on having them on his desk. I feel like I understand Denethor, because I’ve met people like him.  By my lights and theirs, he’s doing the right thing.  Gandalf breaks that rule. He sends the Ring into Mordor, knowing that the chance of devastating failure is at least as great as the chance of success. What kind of person does that? The hero of a romance, that’s who. Gandalf’s plan would never be chosen by someone who doesn’t have supernatural support, which is Tolkien’s point.

Also on the comment thread, “The Hapsburg Restorationist” (username checks out) cites Letter #183, that “Denethor was tainted with mere politics”, and Winter replies with the observation that “Denethor is a politician and Aragorn is a king. We all need to learn the difference between the two in our time.” I hope this post demonstrates that we’ve done so.


[1] “Denethor” is an anagram of “dethrone”, which I never noticed before but others did.
[2] Gandalf learned compassion and pity from Nienna, but the books are silent about where he learned intellectual snobbery. I’m guessing faculty meetings.

Fun with Botany

In which, once again, Olga does all the work and I riff off of her creativity.

Olga’s post is about the lights that shone on Arda before the Sun and Moon. Light is where my branch of physics originated, so off we go. I’m primarily interested in the Lamps, and the paradox they seem to contain, which is where she starts.  Chapter 1 of The Silmarillion, “Of the Beginning of Days” is her text.

Varda filled the lamps and Manwe hallowed them, and the Valar set them upon high pillars, more lofty far than are any mountains of the later days… all was lit as it were in a changeless day.

Then the seeds that Yavanna had sown began swiftly to sprout and to burgeon, and there arose a multitude of growing things great and small, mosses and grasses and great ferns, and trees whose tops were crowned with cloud as they were living mountains, but whose feet were wrapped in a green twilight. And beasts came forth and dwelt in the grassy plains, or in the rivers and the lakes, or walked in the shadows of the woods.

Silmarillion, Ch. 1, “Of the Beginning of Days”

My quotation overlaps with Olga’s by the first sentence.  I continue to quote because that’s where it gets really interesting.  As I mentioned in my comment on that post, “changeless day” isn’t good for plant growth.  Plants store up energy during the sunlit hours, and then generate new tissue at night.  Mess with that diurnal cycle, and they don’t grow well at all. Prof. Tolkien knew this, of course. He spent lots of time on farms, and kept vegetable gardens.

Tolkien in his vegetable garden

Garden excerpt from Humphrey Carpenter’s biography via Google Books

Constant brilliant light creates a desert.  So where did that multitude of growing things come from? That’s the brilliant part:  Get those enormous trees going, and all the rest follows.  JRRT is describing a cloud forest. The only ones I’ve seen are on the sides of mountains – the most extraordinary was in Kohala, on the big island of Hawai’i. If you don’t have a mountain handy, but you do have a Vala, you just make the trees that high.  Then the moisture transpired from the leaves condenses into a cloud, the leaves of the trees would hold the clouds in place, and there would be a moist, shady area between the tree trunks where “mosses and grasses and great ferns grow.”

Ted Naismith’s painting is designed to look pleasing to European eyes, which it does very well. But a more accurate rendering of Tolkien’s vision might look like this.  Once you get out from under the trees, there’s always a rainbow up there, in case it matters.

I also wonder now if Treebeard, when he remembers the “great trees” of his youth, might not be thinking of these mountain-high specimens.

 

But enough serious discussion.  I have to point out a bunch of things now.

  1. The Valar live on an island far to the west.
  2. Valinor is a paradise that Men and Elves yearn for.
  3. Halfway to that island in the west (measuring from England), the Valar put a land of Men who had the most powerful navy ever seen. Masters of technology, rulers of the world, stupendous egotists, these guys.
  4. Before Melkor messed everything up, the island was a cloud forest.
  5. “When the lamps were spilled, destroying flame was poured out over the earth.” (ibid.)  Mauna Kea is an active volcano, from which destroying flame pours out daily.

Dear reader, the evidence is clear.  Valinor is Hawai’i.  Yavanna wears a lei and a grass skirt.  Aule and Tulkas, “clad in the raiment of the World”, are wearing loud tropical-print shirts. All you working on the Silmarillion “film” project, take note.

I understand medievalists a bit better

Brad DeLong has an extraordinary economics blog. You can find there lots of economic history, center-left politics, and also unique compositions like a Socratic dialog concerning the Greek fiscal crisis, jokes about the Valar, and who knows what else.

This weekend, he posted about the (lack of) philosophical foundations of quantum mechanics. [1] That’s an interesting topic in itself, but what struck me was the fact that he was quoting from an optically-scanned PDF of a magazine article by John Bell.  The OCR program wasn’t invented for physics, so when we do things like stick a greek letter into an english sentence, it gets confused. But here’s the thing. It wasn’t hard to read.  Because I’ve been through the arguments a dozen times before, it was easy to figure out that”If we take advantage of the indistinguishability of p and p…” actually has two ρ’s in it, and one of them has a circumflex over it.  (By symmetry of the copulating conjunction, it doesn’t matter which one. [That’s a physics joke])

When I look at a medieval document, I can usually recognize a bunch of the words. But understanding full sentences isn’t as easy, so I find a paper by a medieval scholar who interprets it. How do I know she got it right?  This little exercise in point-of-view reversal has given me a lot more confidence that they know what they’re talking about.


[1] If you’re wondering why, a speculation: Prof. DeLong frequently discusses the problems with dynamic stochastic general-equilibrium models of the macroeconomy. This may be a case where he’s looking at physics for guidance about how to stay connected to reality when your equations are fiendishly complicated.

My Notes from MidMoot III

I took a lot of notes at MidMoot 3, held on September 24-25, 2016. Strung end to end, they’re too long for a blog post, so I broke them up into panels.

Saturday:

Sunday:

 

Janet Brennan Croft: The Name of the Ring: MidMoot 3

This paper is on line.  Janet wrote some really hairy stuff in an easily accessible style, so I won’t re-cap  much of it here.  She starts with Northrop Frye’s organization of literary forms. Myth -> High mimetic -> low mimetic -> ironic.  There are four phases of language to look for.

  • Metaphoric: subject and object linked by some power. Spells, boasts, oaths, magic.
  • Metonymic: “this” is put for “that”. Language describes something beyond itself. Bilbo uses metonymic language with Smaug, calling himself barrel-rider, ring-winner, luck-wearer.
  • Demotic: Subject and object are clearly separated. Words describe an objective natural order. Astrology is replaced with astronomy. The thing evokes the word, and the word has no power to affect anything.
  • Recurso: the cycle restarts. Matter is a form of energy, which finds science leading us back to the mythical. (!) Terms like romantic and extravagant, which were insults in the Middle Ages, are used approvingly now.

The metaphoric/metonymic distinction separates the two reasons not to speak the name of an evil power.  Songs are metaphoric. They bring you through the recurso.

Q: What did Frodo think he was doing, when he put on the Ring? Boromir, Gollum & Sam all had plans for what they’d do. Not him. Tom: the two scenes with Frodo dominating Gollum imply that Frodo did actually know how to use it. JBC: but Frodo has a pattern of rejecting authority and responsibility. Arthur: Frodo doesn’t have a “ring-induced monologue” like everyone else — does he only desire to dominate Gollum? Tim: Self-preservation is Frodo’s goal.

Q: Larry Niven’s story “Grammar Lesson” revolves around the confusion between english-speakers and an alien race when they don’t get the difference in “my” between “my heart”, “my wife”, and “my car”.  Is that what’s going on here?  A: Yes, he’s making the metaphoric-metonymic-demotic distinction clear.  Note added later: C.S. Lewis did this in The Screwtape Letters, too!

Tolkien Studies: Midmoot 3.06

My notes from the last panel on Sunday at MidMoot 3.

Josh Ramsey: Death through a Catholic Lens

Death is a gift, not a tragedy. Catholics think it’s punishment for Original Sin. Is this heresy? The elves who perpetrated the Kinslaying didn’t die, so death is not a punishment. The Men who aided the Valar died, so immortality is not a reward for virtue.

Venerable Bede says Genesis 2:17 doesn’t refer to mortality, it says just “death”, which means spiritual death. Finrod vs. Andreth speak of death as two different things. The spirits of Elves are perfectly at home in the world, unlike the souls of men.  Finrod says it must have been in Men’s power to take their bodies with them when they died — that’s early Christian. Arda-remade lines up with Revelations. (!) Discontent with the world is an echo of our original purpose, to save the world from Morgoth.

The discussion afterwards showed an impressive range of scholarship.

AH: Luthien died and left the world, in a poem called the “release from bondage”. A: wow – haven’t thought of that. Tim: the eastern orthodox say it’s a release from bondage to the passions of the body.

Graham: are you saying the Assumption is the perfect form of Resurrection? A: it’s the 2nd fruit of the resurrection, in the eastern tradition. Marie: brings up the Assumption of Mary, but that’s a special case. She’s the first resurrected. (?) the distinction between heaven and earth is erased after the resurrection.

We decided at this point that resolving the schism between the Greek and Latin churches was beyond our charter. The Protestants in the room hadn’t even weighed in yet!

Grace Costello: Philosophical theories of Musical Expression

Her text was from the “Lay of Leithian”. Oriel feels longing as a result of the minstrel Tinfang Gelion playing underneath his window.  There are several theories of how music affects its listeners that might apply to this situation.

Formalism: music is just notes and rhythms. It doesn’t express emotions, and looks for other ways an emotion can be evoked. It could remind you of another event. It could induce physiological symptoms of the emotion.  Like mimicking a beating heart changing its rate.  Maybe a magical method? We could suppose that music could magically arouse emotions – this doesn’t have any textual support, though.  (I don’t think anybody thinks formalism is 100% of the correct answer — if it were, non-Americans could tell sad bluegrass songs from happy ones without listening to the lyrics.)

Theory of Expression: the music is full of longing. Whose? The composer’s. (Prof. Olsen: never occurred to wonder what Tinfang Warble was longing for.)

Arousalist theory – the music has it, if it arouses the same reaction in any listener. Sounds like the sea-longing Galadriel warned Legolas about.

Blogger’s Privilege again:  At this point I wondered about the note at the beginning of The Adventures of Tom Bombadil. “[Errantry is] a rhyme or story which returns to its own beginning and so may be recited until the hearers revolt.”  Does revolution count as an emotional response?

Q: how does a functionalist explain the idea of a lament? A: a slow tempo drags you down by their connectin with the physiological reaction of grief.

Comment from behind me so I don’t know who said it:  Scientists have actually studied why some people are moved to tears by music. It’s partly synesthesia, partly empathy.  (Cool!)

Tom Hillman: These are not the Elves you’re looking for

The complete paper is available on line.

This is the first part of a contribution to a festschrift for Prof. Flieger. He’s starting a project on Elves. You can see Victorian diminished fairies in The Hobbit, and in Gildor, and “Errantry”. In the Lay of Leithian, Tinuviel can hide under hemlock umbels.

Tolkien was trying to turn English tradition back towards the true tradition (like Spenser, or Sir Orfeo). This isn’t an easy job, because it’s so complex. Beowulf traces elves back to Cain, like all the other monsters. Spenser’s fairy knight Redcrosse is a christian elf, with a bloody cross on his chest. Morgan Le Fay takes Arthur to Avalon, even though it’s not going to work. Indeterminacy is a key to Faërie.

The random cruelty of fairies, which I think is their defining characteristic in pre-JRRT literature, is totally missing from Middle-Earth.

This is going to be a fascinating project. I’m eager to see how it comes out.

Speculative Fiction: Fantasy : MidMoot 3.05

My notes from the second panel at MidMoot 3

Joe Hoffman: Fragments of a Geographical Approach to Fantasy Criticism

This paper is on line in its entirety,  by some strange chance.  Some of the symposium attendees looked disappointed when I mentioned I’d taken out the mathematical underpinning of the Tolkien section.  You guys are great!

A couple of interesting questions came up.

Q: Did I look for an alignment of Bree-hobbit names with Englishmen living overseas?  A: I don’t have an easy source for those, but it would be really cool if they were South Africans or Australians.

Q: Did you look along the coast of Cornwall, where Tolkien spent holidays as a child?  A: (Later) I found Chubbs there, but nobody else.

Prof. Flieger suggested the name “Trotter” might be interesting.

Trotter

Distribution of Trotter in the UK, computed by Oliver O’Brien

That was Tolkien’s original name for “Strider”.  She suggested that it might be from the Scottish borderlands.

A: There is certainly a hotspot there, but the highest concentration is in Lincoln. Running through my associations with that city, I recall that Robin Hood’s band of Merry Men (aka rangers) dressed in Lincoln green. That is exactly the kind of thing I no longer dismiss as coincidence when I’m thinking about Tolkien’s writing.

David Gras: Harry Potter, C.S. Lewis & the Bridge between them

David describes himself as a Christian apologist. (I didn’t know that was still a job title.)

C.S. Lewis didn’t embrace paganism the way JRRT or J.K. Rowling did.  We shouldn’t resist the mythological resonances.  Lots of phoenix imagery in Harry Potter, for example.  Harry Potter and Aslan are bridges between the human world and the Forest. Making the self-sacrifice to save their worlds.

Q: Pre-christian myths have different status from a myth derived from Christianity. A: Lewis wrote a letter on that; you don’t have to abandon the things you learn from ancient myths when you convert to Christianity. We don’t have to avoid them, we should learn from them. The Phoenix was adopted as a symbol of Christ by medieval missionaries. Jesus was portrayed as a white stag; Harry’s patronus is a white stag.

Q: how do you deal with Christians who say that witchcraft is evil so christians must avoid it in books? A: It’s just brought in as a connection to mythology. The things in the book don’t have anything to do with actual Wicca. It’s there to communicate a moral about light, not inform about darkness.

Q: Nobody thinks they’re evil. Witches think they’re a force for good. A force within yourself (hereditary) isn’t what they think. A: When JKR was asked about that, she said that real Wiccans laugh at her books. The Navajo are kind of objecting to her latest work, by the way.

Michelle Markey Butler: Good People Doing Bad Things

A shared theme doesn’t require direct influence. It’s not a cage match, pitting authors against each other to see who did this better. Shared themes are handled very differently by Tolkien and Rowling.  Her examples are Boromir & Sam vs. Lupin, Dumbledore, & Harry.

Boromir accepts that Aragorn is the leader, which is a self-sacrifice. The fact that he’s a good guy is obvious to adults, but children don’t get it. Chesterton: children are innocent and love justice; adults are wicked and prefer mercy. One of the most psychologically-realized characters.  Sam is the hero, but he pushes Gollum past any chance of redemption. The most cynical observation in the book — that people frequently do real damage from just trying to help others.  Note:  It’s widely said that George R.R. Martin is a cynical reboot of Tolkien. This isn’t really true. JRRT has such a deep streak of cynicism that no such thing is needed.

Lupin taught most of the magic. But then he abandons his pregnant wife.  Dumbledore is kindness, patience, and wisdom. Until we learn about his past problems, like plotting to take over the world & rule through wizardry. How could the Dumbledore we thought we knew make those choices?  Harry makes choices that lead to the death of his godfather. He trusts his dreams too much, even when his friends urge him to wait. Harry can’t be a solitary hero. Without his friends, bad things happen.

Speculative Fiction: SF : MidMoot 3.04

These are my notes from the first panel on Sunday at MidMoot 3.

Neil Ottenstein: Dreams and Prophecy in Babylon 5

I usually think of myself as a science-fiction fan. Compared to Neil, I am not. When I want to quote a work, I type out the words on a screen. When Neil wants to quote from Babylon 5, he comes to the front of the room with a stack of bound quarto volumes of scripts, opens each one in its turn, and reads passages to us with a reverent tone. That’s a true fan.

This was another in his series of talks about prophecy. It was orders of magnitude smaller in focus than his presentation at MidMoot 2. B5 doesn’t have a radical concept of prophecy. “We create the future with our words and our deeds. Prophecies are possible futures, not certainties.”

The Centauri seem to be able to make prophecies and confine them to things that are fixed. Unlike other characters who talk about things that may or may not happen, depending on people’s choices, the Centauri seem to be able to perceive “constants of the motion”, making prophecies that are going to turn out to be true no matter what.

Margaret Ann Mendenhall: The Borg: Is assimilation Fertile?

First question: is Star Trek’s humanism patriarchal? It certainly privileges Western values.

Margaret projected the text of the Prime Directive (non-interference with other cultures) up on the screen, and proceeded to slice it to ribbons. Nearly every phrase in it comes from mid-20th-century American ideology. Our perspective, here and now, isn’t that far removed. We’re in the same country, just 50 years later, but those words no longer look to us like a statement of a principle to live by. We now see terms like “healthy development” or “normal cultural evolution” as bags that carry a lot of prejudice in them.

(I’d point out here that those ideologies are honored more in the breach than the observance. Roddenberry may have been writing them down explicitly to get the US to recognize how far short of them our actions in (e.g.) Vietnam were. Which doesn’t disagree with Margaret’s thesis in any way.)

Of course, this gets taken to extremes in the show. Captain Kirk violates the Prime Directive every chance he gets. As Jon pointed out, the Prime Directive is a plot generator, not an actual law to live under. Life would be very stressful under a code that was designed to maximize the frequency of exciting events.  Possibly recognizing this, newer incarnations of Star Trek have replaced the Prime Directive with an ideology of “infinite diversity in infinite combinations”.

On to patriarchy. The presentation of the Borg in “First Contact” shows a feminized twist. The Borg Queen is a Great Goddess figure. (I hadn’t seen this movie – apparently the Borg have been transformed from a mechanical assembly to an insect hive.) It’s a gylany rather than a patriarchy. It works by horizontal linkages, not a command hierarchy.

Now, by assimilating other species into their collective, the Borg is perfecting them.  I got whiplash at this point, because if you say “market” instead of “collective”, it sounds like the attitude of  global capitalism.

Q: Aren’t the Borg and Starfleet both making decisions for other people. What’s the difference? A: They’re both symbolizing the unconscious.  (The subspace network the Borg use to communicate is the Jungian collective unconscious. Fascinating, to coin a phrase.)

Q: (from VF) are the theories you’re working from applicable to western fantasies at all? A: Yes. Her dissertation is about how the Hero’s Journey has been taken over by monotheists to mean pefection of the soul. She’s instead balancing Artemis, Lilith, and Isis in a lemniscate. (MM didn’t say “lemniscate”, but she laid “gylany” on us and I must have revenge.)

Kris Larsen: Mad Scientist Alphabet Soup

Mad scientists aren’t all lone wolves. Kris is talking about three organizations of mad science.  Their common features: obsession with experimental design (she says this like it’s a bad thing); Population-control mission; and complete disregard for informed consent.

First, the DHARMA initiative from “Lost”. Numerology – terms in an equation to predict the number of years left for the human race. The initiative is trying to change one of the parameters and lengthen our existence.

WICKED from The Maze Runner:  plans to eradicate half the population with a virus, because we’ve overloaded the planet. The virus didn’t work as planned. Natural immunity became a valuable commodity. WICKED used immunes to generate a cure.

NICE from That Hideous Strength:  There’s been a decades-long debate about whether this is an attack on science, or just scientism.  Their goal is to “Make man a really efficient animal.” NICE will “take charge of Man”.  Direct manipulation of the brain is their goal. Same as Wicked. Wither and Frost are two definite mad scientists. (How about Glitter and Lost?)

Lewis’s bitter observation: to parents, “Experiment on a child” is a bad thing. But offer them a seat in an “experimental school”, and they’ll sign right up.

Kris ended with an exhortation to science not to forget that we might be working from immoral principles. Fascinating exchange at the end of this talk:

  • Q: Why are there mad scientists, but nobody ever denounces mad theologians or literati? A: We scientists are highly respected.
  • Prof Olsen: do scientists have a proclivity that way? Philostrato isn’t mad, though he’s a dupe. A: Nobody wants to read a novel about normal scientists.
  • CO: it’s a compliment to scientists – in order for them to do evil, they must be insane.
  • Jon: science stripped of humanity leads to these effects.

Tolkien Studies: MidMoot 3.03

These are my notes from the third panel session from MidMoot 3.

Nicholas Palazzo and Marie Prosser: Lessons learned from the SilmFilm Project

Stanley Kubrick called The Lord of the Rings “unfilmable”. What would he have said about the Silmarillion?  Nick and Marie are the scriptwriters for this TV series that will never be produced. They’ve made hours of video, including this talk, available on Youtube.  They started off with the obvious question: Why are we engaging in such an “Epic Waste of Time”?   Nick thinks we should expect one day a Silmarillion on theater marquees, despite the fact that lawyers, guns, and money will make sure it’s never going to happen.

The most interesting parts of this project to me are when they deviate from the written text.  For example, Aragorn’s mother Gilraen is an important character in their frame narrative.  She’s bound to disagree with Elrond fairly often about the proper rearing of the future King — how do you make her fight with Elrond all the time and still remain a sympathetic character?

I’m going to exercise blogger’s privilege here, and say something about the Silmfilm project. It’s too big!  They don’t make a movie out of Edith Hamilton’s Mythology, they make a movie out of “Jason and the Argonauts”. I admire Corey, Dave, Trish, and their éored for even trying to do it end to end, but if any book was ever made for cherry-picking theatrical moments, The Silmarillion is it.

Arthur Harrow: Poetry in The Hobbit: Fluff or Exposition?

Like any honorable doctor should, Arthur began with a disclosure of his interests: He has no affiliation with any Ring manufacturers; He works with Gothmog’s personal-injury firm (injuring persons since the First Age).

This talk had a nice, simple thesis: The songs in The Hobbit are there to break us out of any pre-conceived notions we might have about elves, dwarves, goblins, and what not. Thorin & Co. sing their songs, and we know that they’re neither Disney characters nor Norse-saga characters. They love their works, they carry a grudge indefinitely, and they’re careful with the crockery.  The elves of Rivendell know what’s going on, and they don’t care.  The forest elves are hard workers who know about the outside world.  The goblins are “part of the military-industrial complex”. Their short words and onomatopoeia prepare us for their brutal, slave-driving ways. The Lake-men have an almost messianic hope for the future.

Monsters don’t have songs.  (I never noticed their absence until now.) This is a big difference between The Hobbit and The Lord of the Rings.  We’ve never heard of hobbits before, so Bilbo doesn’t sing a song until the very end.

The new generation of Tolkien fans are probably going to the books from the movies.  They’re going to have a completely new set of incorrect preconceptions.  This role for the songs, therefore, is only going to grow in importance.

Graham McAleer: Contrasting LotR and Game of Thrones

Graham’s a philosopher.  He began by telling us about his latest idea for a monograph in the form of a website.  The subject is irrelevant to the conference, but it looks interesting anyway. (I’ve read a few chapters; for the subject matter, HTML is an excellent choice over print.)

He handed out the syllabus from a class he taught. Students had to read The Prince, Francesco De Vitoria On Homicide, Ferguson (XIXth Scotland) An essay on the subject of civil society [what is a “Knight”], and Karl Schmitt, The Concept of the Political. Our job was to tell us what we thought about that class.  We discussed:

  • Capital punishment.  Game of Thrones is full of it. It’s clearly part of the law in Rohan. Faramir and Gandalf are dubious of its merit.
  • Trials. They’re prominent in GoT. Aragorn tries Beregond, and Faramir tries Gollum, but none of the ludic elements of modern British or American trials are present in those cases.
  • Knighthood. Merry and Pippin learn to become knights, in part, like Arya Stark.  Nobody in LotR is born to knighthood, like the Hound in GoT.

No great problems of philosophy were resolved.

Simon Cook: The language of the palantiri

Tom Hillman read the paper for Simon Cook. What can the palantiri do, exactly? They’re for far-seeing, which is emphasized by the fact that they were originally placed in towers, which are also tools for seeing a long way.  Gandalf implies that all the stones can see Valinor. They’re a link between the real world and Faërie.  They help you look from mind to mind like Galadriel can. (She’s from Valinor, too. The palantiri are stronger.)  The palantiri are associated with temptation. There’s a compulsion to them, that doesn’t come entirely from Sauron.

The last palantir is Elendil’s stone in Emyn Beriad, taken back across the Sea at the end. It’s replaced by the Red Book in the Tower Hills at Westmarch. This lines up neatly with the way myth stops being a part of the environment and passes into history during the Fourth Age.

Q: Galadriel’s hair inspired the Silmarils – could her mirror-trick have inspired the palantiri? A: Wooo! What a cool idea.

Q: is Galadriel’s mirror Faërian Drama? Prof. Flieger responds: The palantiri and the Mirror are all about temptation. Mortals are deluded by them, but it’s not clear whether the fairies are doing that on purpose. This made me wonder: temptation comes before using the palantiri, but it comes while looking into the Mirror.  Is that an important difference?

Laura Berkholtz: The origins of Nienna

This paper was read by Ed Powell.

A few properties of Nienna. Her realm is in shadow. Pity is in her heart, and weeping comes to her. She was the spouse of Mandos, but then became the sister of Manwe. By the time he wrote the things that went into the published Silmarillion, she’s the sister of Mandos. She does passive compassion, not active healing. She turns sorrow to wisdom.

Laura makes a comparison to two figures from older mythology.  One is Mary, Mother of Sorrows. Mary seems to be able to affect events on the earth. The other comparison is to Kuan-yin. She’s a bodhisattva who hears the complaints of the world. She also can affect the real world. (It’s not obvious how much Buddhism affected JRRT.)  Nienna, by contrast, doesn’t directly affect the world. The closest she comes is through instructing Gandalf before he comes to Middle Earth.

There’s a longer discussion in “Perilous and Fair“, by Janet Brennan Croft and Leslie A. Donovan.

Arthur points out that weaving the sound of mourning into the world doesn’t sound like a good thing. But all the acts that have really long-lasting effects are acts of pity. Note the Greek myth of Demeter, weeping for her daughter every winter. Necessary for the cycle of the earth.

Mike Therway: Color in the Silmarillion

This may be the most quantitative talk of the conference. He counted references to each color of the spectrum, and then a few others.

Orange doesn’t appear in the Silmarillion. It’s not an old word in English; we got it fairly recently from Arabic.  (I bet the Dwarves and the Orcs have words for orange!) There’s no purple or indigo, either.  Why not? Sharon hypothesized that “purple” is an ugly word and Tolkien didn’t like the sound of it.  Curiously, there’s a Sindarin word for “red-blue”.  I think Sharon wins this one.

Black is mentioned 84 times. (Is that all?) White has 106 mentions. Grey is ambivalent – usually good, but it’s the last color-word in the Silmarillion, and it’s sad.

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