Idiosophy

A physicist loose among the liberal arts

Category: mythgard academy

Seward’s Folly

Dr. Seward, the narrator of a large part of Dracula, sometimes seems like he’s there to make the reader feel relatively intelligent.  His inability or unwillingness  to comprehend things outside his experienced make him, despite his self-avowed erudition, the last person to understand what’s going on.

Dr. Seward refers to himself as a “sceptic” four times over the course of the novel. Old Pyrrho being unavailable, I’ll step in to say that’s not really what he is. Skeptics don’t believe absolute knowledge is possible, and that includes their own preconceptions. Seward has a solid base of things he knows, and anything contradicting it gets disregarded.  Skeptics doubt their own working assumptions and even the framework in which they reason, the same as new information they receive.  Dr. Seward isn’t doing that at all.  In terms of Bayesian logic, he’s reasserting strong prior probabilities in the face of evidence to the contrary. There’s a word for that: the economist Noah Smith calls it “derp”.

Wait – what’s a “prior probability”? Bayes’s theorem is one of those amazing mathematical results that sits there for centuries before anyone really gets its significance. The basic idea (and you can look to Dr. Smith’s blogpost for a better explanation than mine) is that every thinker has a certain prior base of knowledge that she uses to interpret new information.  As new information comes in, it modifies the odds of each thing in the base, leaving the thinker with a new “prior distribution” of (in this case) the likelihood that each possible cause gives rise to future observed effects.  The mathematical operation that makes that happen is multiplication. One immediate result, therefore, is that if your prior distribution says the likelihood that thing X caused event Y is exactly zero, then the new information gets multiplied by zero.  There’s no amount of new data that can make you think X is really going on.  Dr. Seward has a prior distribution with zeroes assigned to everything he didn’t learn in school.  A skeptic uses a prior distribution with no zeroes in it at all (like a bell curve), because those zeroes are awesomely powerful things, and they’re not to be trusted.

Perhaps I’m being too hard on the good Doctor, but I feel justified because there are examples right next to him of better ways to reason. Characters who use prior probabilities derived from literature seem to work much better. Mina Harker, for example; at times she seems to be the brains of the whole outfit. Why do I say her priors come from literature? Mina may have taken Corey Olsen’s Faërie and Fantasy class (or the 19th-century equivalent).  She knows how to compose an oath so it doesn’t later cause trouble in an entirely-predictable way.  Maybe this is why Prof. Olsen says she’s “awesome”.  Mina reasons from stories. Here’s how she swears never to read her husband’s diary: “I would never open it unless it were for his own dear sake or for the sake of some stern duty.” (Chapter IX)  When I read that, I said, “Brava!” [1]   She drew the crucial lesson from Arthurian romances – be really careful how you swear oaths.  That “unless” clause made the happy ending possible.  (Oops – spoiler!) The sons of Fëanor should have been so wise.

Jonathan Harker has a similar skill at hedging his oaths, though I’m sure his prior probabilities come from law school.  On the expedition to Dracula’s castle, Mina tries to make him understand that her life is secondary in importance to ridding the world of vampires. “’Jonathan, I want you to promise me something on your word of honour. A promise made to me, but made holily in God’s hearing, and not to be broken though I should go down on my knees and implore you with bitter tears. Quick, you must make it to me at once.’
“’Mina,’ I said, ‘a promise like that, I cannot make at once. I may have no right to make it.’” (Chapter XXIV)  You have to love that “may have” — he won’t even commit to that, without consulting his books of precedents.  Any knight of the Round Table would have sworn instantly and suffered for it for the rest of the poem.

The similarity of Mina’s and Jonathan’s thought processes raises a question.  Instead of school, did Mina learn this mode of thought after meeting Jonathan, to be a better wife?  Doing such a thing would be consistent with her character, since it’s not much more difficult than memorizing Transylvanian railroad schedules without speaking Romanian. But I prefer to think that it’s the way she was educated. Victorian girls were taught by literary example (I admit it: my own prior probability distribution is influenced most heavily by Alice’s Adventures in Wonderland). I’m sure that a mode of thinking so consistent with the British legal system was one of the salutary qualities that attracted Jonathan to her in the first place.

[1] Some people write in the margins of books.  I talk to them.[back]

Brandy is too a Panacea

For anybody who’s laughing at the doctors in Bram Stoker’s Dracula who prescribe brandy for any illness: Remember that Elrond gave Gandalf a flask containing a cordial that was a sure-fire cure for hypothermia and squid attacks.

http://youtu.be/lPUAwwC_U8c&t=860

Renfield ate beetles, right?

Bless that good, good woman who hung the crucifix round my neck! for it is a comfort and a strength to me whenever I touch it. It is odd that a thing which I have been taught to regard with disfavour and as idolatrous should in a time of loneliness and trouble be of help.

Bram Stoker, Dracula, ch. 3

To which I compare,

When I find myself in times of trouble,
Mother Mary comes to me, …

Paul McCartney, “Let It Be”

I’m going to assume that this is just a coincidence.  I will keep it in mind, though, when I listen to experts in natural-language processing tout their skills at making connections between texts.

Dark Side of the Rainbow for Inklings Nerds

Just listened to Sørina’s lecture on little loosed dragons, and then played “Synchronicity” by the Police. The result was a fascinating experience in parallels.

  • Scientifically-dubious, early-twentieth-century Weltanschauung? Check.
  • A #1 hit single about co-inherence? Check.
  • Auto-intertextuality? Check.
  • A baffling hypotext?  Check.
  • Dangerous giant reptiles? Check.

And, in a tour de force of seizing control of meaning from the author, I have always thought Miss Gradenko worked at the N.I.C.E., and C.S. Lewis left her out of That Hideous Strength because he didn’t have the chops to cover the electric guitar part properly.

P.S. For what it’s worth, I think Genette’s definition of “intertextuality” is useless.  If  I were going to define a sub-class of literature, I’d try to think of something that excluded at least one book. When anything that uses words is intertextual, why not just say “literary”?

P.P.S. The part where Prof. Higgins says the text isn’t really layered, but is actually woven of lots of threads — <dadjoke> you mean it’s a textile? </dadjoke>

The Saga of Wigend’s Chicken Run

During last fall’s fundraiser for Signum University, Dr. Prof. President Olsen committed to running from the Shire to Minas Tirith in the form of a chicken.  In Lord of the Rings Online, that is.  The Great Mythgard Chicken Run took place on January 30th.  I watched it on TV. Despite (or possibly because of) its absurdity, it was an interesting introduction for me to the LotRO world.

Of course, a chicken doesn’t stand a chance alone in the Wild.  He had companions, so the quest should not fail.  As the crowd of Mythgardians, elves, dwarves, hobbits, men, and other chickens, swarmed through a square in Edoras, temporarily quadrupling its population, I was provoked to tweet, “I would like to hear the minstrels of Rohan sing of the gang of weirdos who ran through their lands with a flock of chickens.”  Be careful what you wish for on the Internet.

Tom Hillman started it, and deserves at least half the blame.  The narrative lines are mine; the funny lines are his.

From dark Dunharrow in the dim morning
with hen and hatchling strode Hampshire’s son.
‘Gainst foes and foxes, fighters protecting him,
to Minas Tirith the tourist came.
With Foghorn Leghorn, long enduring:
son, I say, son, strong in scorning.
For no lectures would he linger in Lamedon or Lebennin.
His clumsy coursing carried him forward.
Even women long-skirted outran wingéd Wigend
Politely pausing until his approach.
From Rammas Echor to the door of Rath Dinen
Into every breach he stuck his beak.
‘Til his goal achieved, glory gaining
He gracefully tumbled from the Tower of Guard.
In red day dawning crew he loudly.
Eleven herbs and spices seasoned breast and drumstick
Biscuits in bucket, slaw on the side
Sweet was the feasting, so the songs tell us.

Ages of Magic: 2 or 3?

In several Mythgard Academy classes, the distinction between the two types of magic has come up:  magia versus goeteia. Doing magic, through your own knowledge and mastery, versus summoning up a spirit who can help you out.  That’s usually described as “high magic” versus “black magic”, but I prefer to call it thaumaturgy versus conjury.  It looked to me at first like Mr. Norrell’s mission, at the start of JS&MrN, is to replace the latter with the former.

Tom Shippey informs us that C.S. Lewis is all over this. It’s well-trodden ground among the Inklings. There’s a disconnection in JS&MrN, though.  The change from the Golden Age to the Silver Age, which Susanna Clarke delightfully calls “Aureate” and “Argentine”, is contemporaneous with the change from the Plantagenets to the Tudors, and from the Middle Ages to the Renaissance.  If that transition has already happened, what’s going on in the 19th Century? I see two possibilities:

  1. The original transition was botched.
  2. Norrell is pushing the magical equivalent of the Industrial Revolution.

The argument for the first is that the Argentines don’t seem to have been as powerful as the Aureates. Historical progress in England around that time tended towards increasing control over the physical world.  The change from direct conjury of forces of nature to keeping a fairy servant around the house is a step downward in mastery. (Or maybe it’s because Argentine magicians never got any sleep.)

The argument for the second is that a hundred cues in the surroundings indicate that history in the novel matches ours closely.  They point us, who know what’s coming next, towards the industrial.  So Norrell might be trying to institute an Iron Age of English Magic.  It will be up to those who come long after, to decide if the Age will be Ferrous or Ferric.  After magia and goeteia comes scientia, just not the same way as in our history.

So, for those keeping score:  I found a review by Corey Olsen, of a book that contained an article by Tom Shippey, who was reviewing an obscure book by C.S. Lewis, who was writing about “Drab Age” English literature, which was written about the actual world, real or imagined.  This may turn out to be the hardest part of literary analysis – it’s turtles, a long way down.

Jonathan Strange & Mr. Norrell

Finally got caught up with the Mythgard Academy class on Jonathan Strange & Mr. Norrell.  There are two things that didn’t get mentioned, so I’ll put my takes on them here.


The Gentleman with the Thistle-down Hair tossed two children out of a tower, and thought it was worthy of commemoration.  I’m pretty sure he did that on behalf of Richard III.


There was a long discussion about how the above-mentioned Gentleman didn’t seem to attach any significance to the color of Stephen Black’s skin apart from the aesthetic. It’s like he didn’t even see the difference between black-skinned people and white-skinned people.  That reminded me of this passage:

To sheep, other sheep no doubt appear different.  Or to shepherds. But Mortals have not been our study. We have other business. (LotR II.i.311)

I wonder if, even in a book that has nothing to do with Middle-Earth, JRRT’s influence didn’t intrude itself on Susanna Clarke’s writing.

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